- Terrific, Raw Production, writes Greg Kot at The Chicago Tribune: "The tracks are blissfully free of the overdubs and other studio manipulations that mar many of his posthumous recordings. Instead, we get a you-are-there document of Hendrix in the last volatile days of his great power trio with bassist Noel Redding and drummer Mitch Mitchell, the Experience."
- Rivals Electric Lady Land, writes Ted Drozdowski at Gibson: "The ultimate gauge of any new Hendrix album, live or studio, is whether it achieves a level of quality comparable to the four albums he released during his lifetime and provides new insights into his creative processes. Valleys of Neptune succeeds on both counts."
- Don't Get Too Excited, writes Darryl Sterdan at the Toronto Sun: "This is not The Great Lost Hendrix Album. Mostly, it's a mishmash of odds and ends from 1969. There are jams and covers, new renditions of old favourites, and a few works in progress... Bottom line: If you're a stone-cold Hendrix freak, pony up. You won't get burned. But if you're just a casual fan, remember something else Jimi used to sing: 'You try to gimme your money, you better save it, babe / Save it for your rainy day.'"
- A Snapshot of the Band in Its Prime, writes Brian Robbins at Jam Bands: "What we have here are some of the final sessions that the original Jimi Hendrix Experience (Hendrix, Mitchell, and Redding) recorded - and some clues as to where Hendrix was headed after the Experience melted down in 1969... Valleys of Neptune treats us to a locked-in-and-grooving Experience - plus, we catch some glimmers of where Jimi might have headed in the years to come. On the whole, the album feels right - and without the man himself here, that's about as good as it's going to get."
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John Hudson



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