The premise of New York magazine under Adam Moss is that all art--actually, everything in the world--is reducible to a correct reaction, including the reactions themselves. There is no story that can't be explained in a subheadline; the best stories could be subheadlines before anyone even reported them. This is why New York is hailed as the magazine of the moment. Its complaint about I'm Still Here is that it doesn't make sense as a work of kitsch.No word yet on whether Scocca also appreciates the muppets on a much deeper level than you.
Want to add to this story? Let us know in comments
or send an email to the author at
rgustini at theatlantic dot com.
You can share ideas for stories on the Open Wire.
Ray Gustini



User Comments
Please type your comment and click Post. If you’re not already logged in you will be prompted to log in or register